I got this off my friend Shoey’s facebook and I totally agree with everything she says. THIS IS A MUST READ FOR ALL DANCERS!
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What is dope and why is it considered dope?
Are we all conditioned by the media, by our friends, and by youtube comments to think that a certain way of dancing, a certain way of execution, or even a certain genre of dance is “right?”
When i hear music, why should i dance to it the popular way, or the way that i see everyone around me interpret it? Why are we so quick to label something hip hop, contemporary, jazz, jazz funk and etc
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OR more importantly, why are we so quick to put a label on an individual and say “he’s just another _______” when that individual still has years and years of movement left to explore?
Maybe we need to realize that when we confine others to boxes, we are narrowing theirs as well as our own minds and potentials.
Are we scared?… Scared of the unknown, of not being good enough, of not being able to understand a certain type of dancing? Why do we always find ourselves looking at a different scene and saying “ehhh…that’s just okay.” or “yeaahh it all looks the same.” And how can we put these fears away so that we can start truly learning and sharing with each other?
——- Perhaps if we submerged ourselves and studied what they do…we would find our own minds opening…we would find new and more positive ways to share and give back to this thing we love.
Sometimes I ask myself, what is dancing and what is it becoming? A formula to win? blow-ups to impress? A competition between the east and west? a division?
But those questions are not as important as what are we feeling when we dance? why are we dancing? what are we teaching and showing to those who look up to us?
—- are we saying, “sure dancing is about who you know”, “dance is just a trend that we are all a part of. It is this formula you have to follow to achieve recognition.
And what does recognition entitle? Standing ovations from the crowd? Youtube video counts? How many select groups we make?
Someone once told me the cypher circle is important because it is where your work and your craft is validated; a place where you go to show how many hours you’ve sweated and worked on your craft. A place where people with a similar understanding and appreciation of your art share, learn and RECOGNIZE you because you are communicating with each other in the same language
—— but what do our cyphers say about us now? or maybe we should ask…what are we saying in the cyphers?
If a ballerina can spend hours doing barre and pointe work, why are we unwilling to spending 15 minutes working on grooves? why do we grumble when we think a teacher is taking up too much of our 90min class time talking about decades of history that allowed us to be where we are today? We complain that there is no originality in dancing anymore when we’ve forgotten that to build originality we need to lay good foundations. What did we lose in our rush to become “dope” dancers….
and again…what is dope? why is it dope?